抽象雕塑的藝術(shù)

抽象雕塑是一個(gè)來(lái)自于西方文化語(yǔ)境里的概念，是世界藝術(shù)中的一個(gè)學(xué)術(shù)熱點(diǎn)，是當(dāng)代極具國(guó)際性、先進(jìn)性的藝術(shù)課題。抽象雕塑之所以有寬泛的適應(yīng)性，是因?yàn)樗臉?gòu)成與樣式有多變的靈活性，全部要素都能夠和周邊的環(huán)境產(chǎn)生對(duì)比，方便求得雕塑和環(huán)境的對(duì)照與統(tǒng)一的相較關(guān)系。

Abstract sculpture is a concept from the western cultural context, an academic hotspot in world art, and an international and advanced art topic at present. The reason why abstract sculpture has broad adaptability is that its composition and style are changeable and flexible, and all elements can be compared with the surrounding environment, so it is convenient to obtain the contrast and unified comparison relationship between sculpture and environment.

抽象雕塑的產(chǎn)生和發(fā)展與人類的生產(chǎn)活動(dòng)緊密相關(guān)，同時(shí)又受到各個(gè)時(shí)代宗教、哲學(xué)等社會(huì)意識(shí)形態(tài)的直接影響。在人類還處于舊石器時(shí)代時(shí)，就出現(xiàn)了原始石雕、骨雕等。雕塑是一種相對(duì)性的藝術(shù)，古代許多過(guò)歷史長(zhǎng)河的沖刷已蕩然無(wú)存，歷代的雕塑遺產(chǎn)在一定意義上成為人類形象的歷史。傳統(tǒng)的觀念認(rèn)為抽象雕塑是靜態(tài)的、可視的、可觸的三維物體，通過(guò)抽象雕塑訴諸視覺(jué)的空間形象來(lái)反映現(xiàn)實(shí)，因而被認(rèn)為是典型的造型藝術(shù)、靜態(tài)藝術(shù)和空間藝術(shù)。

The emergence and development of abstract sculpture is closely related to human production activities, and at the same time, it is directly influenced by social ideology such as religion and philosophy in various times. When mankind was still in the Paleolithic Age, primitive stone carvings and bone carvings appeared. Sculpture is a kind of relative art, and many ancient times have been washed away. Sculpture heritage of past dynasties has become the history of human image in a certain sense. According to the traditional idea, abstract sculpture is a static, visible and touchable three-dimensional object, which reflects reality by appealing to visual spatial images, so it is considered as a typical plastic arts, static arts and space arts.

在抽象雕塑中，幾何形以及有機(jī)形抽象雕塑是其重要表現(xiàn)形式。利用幾何形塑造形體往往可以使雕塑呈現(xiàn)出高度概括的特性，從形體成型來(lái)看，更能表現(xiàn)出精湛、優(yōu)秀的工藝性”。

Among abstract sculptures, geometric and organic abstract sculptures are important forms of expression. Using geometry to shape the body can often make the sculpture show highly generalized characteristics, and from the perspective of shape forming, it can show exquisite and excellent craftsmanship.

我們可以相信，抽象造物所開(kāi)辟的自由天地，會(huì)為雕塑的疆域擴(kuò)展到無(wú)窮境界，而雕塑家就是那只上下翻飛的大鳥(niǎo)。

We can believe that the free world created by abstract creation will expand the territory of sculpture to infinity, and the sculptor is the big bird that flies up and down.